American PHOTO - July August 2010 by American PHOTO

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That’s an argument for setting up video shots with a single plane of focus, making sure you have enough depth of field to cover any error and keeping the subject (or anything else you want sharp) as much as possible in the same plane. In general, video requires much more advance planning than still photography. It demands a way of thinking and working to which many interested still photographers will have to adapt. In that respect, DSLR video might be one of those cases in which photographers need to catch up with the technology, instead of the other way around!

Viewing himself as more akin to a coach than to either a hands-on director or a disengaged photojournalist, Macalino guided the couple out into the fields surrounding their wedding venue, then let their natural affection for each other take its course under the influence of the lavender-infused evening. 8L USM lens LOCATION Santa Barbara, CA "If you're turning the page in an album, you're going to stop and look at this one for a while," says Tony Corbell. " As it happens, Smallwood mastered posing and lighting as a portrait painter before becoming a photographer.

We always worked with big lights, and at one point we had a medium roller stand held down by ten 35-pound sandbags. ” 38 A veteran documentary photographer and educator turns his lens to the shadowy realm of an otherworldy night life ©HENRY HORENSTEIN (3) Henry Horenstein’s haunting black-and-white photographs evoke another era. Graphic and ghostly, his elegant images conjure the heyday of German cabaret in the ’20s, and the tarnished glamour of the Weimar Republic, in the flutter of a sequined tassel or the arc of a penciled eyebrow.

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